By the (likely) final performance, Nathan Chen became a mirror for Glass music

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By the (likely) final performance, Nathan Chen became a mirror for Glass music

My observations from Day 2 of 3 at the World Team Trophy, where Nathan Chen was Same As He Ever Was in winning the free skate after winning the short program on Day 1.

(Wait…maybe Talking Heads for him in the Olympic season?)

1. It’s too bad that Friday was most likely the last time Nathan Chen will skate the free program Shae-Bourne artfully choreographed to selections from the music of the minimalist composer, Philip Glass.

Chen clearly had a physical as well as intellectual understanding of Glass, having studied his music at Yale and having learned how to play part of it on the piano. The skater’s interpretation got more nuanced each time he performed it, with the final half of the four minutes at the World Championships and the opening 30 seconds at World Team Trophy clear evidence of how he “got” the music.

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At World Team Trophy, another angle on Chen-Hanyu rivalry

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At World Team Trophy, another angle on Chen-Hanyu rivalry

Thanks to NBC’s Peacock TV for the ability to watch the World Team Trophy from Osaka, Japan, at a reasonable hour in the USA via replay.

It meant I was awake enough to make some (hopefully) coherent observations after Thursday’s day one, which included singles short programs and the rhythm dance.

In no particular order of importance:

I used to think (at least until the 2018 Olympic free skate) that Japan’s Yuzuru Hanyu was so dominant, particularly in component scores, that he could make one semi-serious mistake and still win in any program.

Nathan Chen has shown that thinking no longer prevails, particularly among judges.

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Nathan Chen won’t bite off more than he can chew with next Olympics soon on his plate...and 6 other takeaways from 2021 figure skating worlds

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Nathan Chen won’t bite off more than he can chew with next Olympics soon on his plate...and 6 other takeaways from 2021 figure skating worlds

What’s next for Nathan Chen after yet another stunning performance, this one with five clean quadruple jumps, a striking interpretive affinity to his music and the mental strength to forget the fall in the short program that had left him some eight points behind longtime rival Yuzuru Hanyu of Japan?

Pandemic-related uncertainties make his planning uncertain. He would like to go to the World Team Trophy, still scheduled for next month in Japan. He has no idea if there will be any shows for him to do this summer. Even the usual fall events could be affected should there be resurgence of COVID cases.

That means Chen’s attention could turn completely to the 2022 Beijing Winter Olympics before he expects.

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In sequel to 2017, Karen Chen reprises her worlds role with the same aplomb

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In sequel to 2017, Karen Chen reprises her worlds role with the same aplomb

Was this an episode of “The Twilight Zone”?

Or a spinoff using the plot of the movie, “Groundhog Day”?

And it may be said that those who fail to learn from history can be condemned to repeat it, but this was a case where Karen Chen’s redo came with as much to celebrate for U.S. figure skating as the original event at the 2017 World Championships in Helsinki.

This time, the historical record will show an even more unlikely path to the same outcome, which was having Chen’s free skate at the World Championships be the key to getting a third women’s singles spot for her country at the upcoming Olympics after a more decorated teammate had faltered.

You want more uncanny coincidence? Both took place in Nordic countries, first Finland, now Sweden.

And just as in 2017, Chen fought through mistakes on jumping passes late in her four-minute free program to come up with a good enough performance to succeed despite the pressure of a situation that, once again, she could not avoid being aware of.

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Shocking U.S. failures and awesome Japanese successes in men’s short program at figure skating worlds

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Shocking U.S. failures and awesome Japanese successes in men’s short program at figure skating worlds

Shock.

Nathan Chen of the United States opened his short program at the World Figure Skating Championships Thursday by falling on a jump in an individual competition for the first time after having stayed upright on 120 straight dating to 2018. That meant he lost a program after winning 19 straight live individual competitions since the 2018 French Grand Prix short. Now in third place, 8.13 points behind the leader, Chen will be hard pressed to win a third straight world title.

Vincent Zhou of the United States, the reigning world bronze medalist, made an utter hash of all three short program jumping passes and finished 25th, one place below what was needed to advance to Saturday’s free skate. That complicates U.S. hopes for three men’s spots at the 2022 Beijing Winter Olympics.

And awe.

Yuzuru Hanyu of Japan may not have been fully content with his skating, but the two-time Olympic champion finished first after making no mistakes in an electric performance that fulfilled the title of his music, “Let Me Entertain You,” by Robbie Williams.

Yuma Kagiyama of Japan, a 17-year-old in his senior worlds debut, skated fearlessly at Mach 2, collected the highest combined scores of the day for two jumping passes with quads and a huge personal best score (100.96) while finishing second to his countryman, Hanyu (106.98).

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