Ten years later, Queen Yuna’s iconic crown glitters with transcendent brilliance

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Ten years later, Queen Yuna’s iconic crown glitters with transcendent brilliance

How could a 19-year-old woman achieve perfection while bearing an entire nation’s hopes and the baggage of its past, while 50 million South Koreans stood on her shoulders as she tried to stay upright while doing triple jumps on a slippery surface with knife-thin blades?

That is what Yuna Kim did 10 years ago on this date, lifting spirits in her homeland and elevating herself into a singular place in Olympic history by winning the women’s figure skating title at the 2010 Winter Games.

How? Even Kim still marvels over that, as she said in an email interview done this month through her management company. Even now, the moment confounds her, brings back the nervousness she had in Vancouver and, as it did then, makes her teary-eyed because she feels overwhelmed.

“I always wonder how I did it, and every time I watch, it doesn’t seem real,” she said.

She had not only won South Korea’s first Olympic figure skating gold medal but had beaten an exceptionally talented Japanese rival for it, a fact of no small consequence given the complicated history of relations between Japan and South Korea for five centuries. Sports competitions between the two countries had always been freighted with nationalistic implications.

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Evan Lysacek's golden performances seem surreal to him 10 years later

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Evan Lysacek's golden performances seem surreal to him 10 years later

Last month, when Evan Lysacek was speaking to students in Kuala Lumpur, Malaysia in his role as a sports envoy for the U.S. Department of State, the presentation included a showing of his figure skating short program and free skate from the 2010 Winter Olympics in Vancouver.

Lysacek rarely skates these days. He last did something that could be called a public performance when Ice Theatre of New York honored him in October 2016. With an ankle ligament still sore from a misstep injury that threatened to have him in a cast for his wedding last Dec. 14, he shuffled briefly around the ice while working with skaters in Malaysia

That detachment from the sport has made it difficult for him to believe what he was seeing in the video of the greatest performances of his career.

“It’s surreal to watch,” Lysacek said. “When I think of what it took to get there, I think, ‘How did I ever do that?’”

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In figure skating, a radical proposal to reshape the sport

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In figure skating, a radical proposal to reshape the sport

In an attempt to rebalance the athletic and artistic sides of figure skating, the sport’s technical committee for singles and pairs is submitting a proposal with sweeping changes for consideration by the International Skating Union at its biennial congress this June in Thailand.

The proposal comes at a moment when the jump revolutions in men’s and women’s singles skating have created a huge competitive imbalance in favor of skaters doing the most difficult jumps – quadruples for men, quads and triple Axels for women.

The proposal will not be made public until April, when the 2020 congress agenda is published. But Fabio Bianchetti of Italy, chair of the ISU singles and pairs technical committee, confirmed its essence and intent to NBCSports.com in emails.

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Yuzuru Hanyu's new (old) programs sound like a broken record. Same old, same old doesn't befit his skating genius

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Yuzuru Hanyu's new (old) programs sound like a broken record. Same old, same old doesn't befit his skating genius

I am going to start my discussion about Yuzuru Hanyu’s decision to recycle old programs with an effort (undoubtedly futile) to stave off an uprising by the Hanyubots, the unhinged slice of Hanyu’s huge and generally terrific fan base that turns into a cult to troll anyone who ventures a legitimate criticism of the skater they worship.

I can only hope they will read at least the next four paragraphs before beginning a knee-jerk rant, as they usually do when, for instance, Hanyu gets scores they deem unfair.

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By the numbers: why a different system for team selection would help U.S. Figure Skating

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By the numbers: why a different system for team selection would help U.S. Figure Skating

Two years ago, when there was uproar over who got the final men’s figure skating spot on the 2018 U.S. Olympic team, I wrote that the selection process is too opaque to prevent questions and angry reactions.

There has been some tinkering with the process since, but it still lacks the clarity people need to fully grasp the rationale behind U.S. Figure Skating’s selections for major events, including the final spot in both men’s singles and pairs for the 2020 world championship team.

Why was Vincent Zhou, fourth at the 2020 nationals, picked in men’s singles over Tomoki Hiwatashi, who was third?  Why were Ashley Cain-Gribble and Timothy LeDuc, fourth at the 2020 nationals, picked in pairs over Jessica Calalang and Brian Johnson, who were second with a dazzling free skate?

There are reasonable and defensible answers to both questions (I will get to that later) but the process – based on the notion of a “body of work” - remains murky. 

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