Bradie Tennell arrives again at the summit of U.S. women’s skating

Bradie Tennell arrives again at the summit of U.S. women’s skating

Bradie Tennell knows the old cliché athletes use to explain what keeps them going through thick and thin, when they try not to have their eyes always on a prize.

“They say it’s about the journey, not the destination,” Tennell said. “But the destination feels pretty good, too.”

It was a place she had been before and one Tennell turned her life inside out last summer to reach again: the top step of the women’s podium at the U.S. Figure Skating Championships.

Tennell got there Friday night as convincingly as she had the first time, in 2018, sweeping the short program and free skate, earning 232.61 points and winning by a whopping 17.28 over the surprise (and surprised) runner-up, Amber Glenn, whose best previous finish at nationals was fifth last year.

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Bradie Tennell takes command in quest for an elusive second U.S. figure skating title

Bradie Tennell takes command in quest for an elusive second U.S. figure skating title

After Bradie Tennell burst into prominence on the U.S. figure skating scene by winning her first national title in 2018, she did not imagine she still would be looking for a second one three seasons later.

Especially since Tennell had won the short program at the 2019 and 2020 U.S. Championships, only to falter in the free skates, finishing second and third as phenom Alysa Liu took the gold medals.

“Winning another has been a driving force for me,” Tennell said.

And yet she understood that it couldn’t turn into an obsession.

“It can be very overwhelming if you constantly dwell on it,” Tennell said Thursday night.

“I choose to keep it tucked away in the back of my mind. It’s always there, but not like on a billboard, kind of in a drawer.”

Once again, she has put herself in a strong position to take the title, winning the short program at the U.S. Championships for the fourth straight year, this time with a self-assured, sassy performance to music by the indie band, Florence + the Machine in a Las Vegas arena with no spectators. The free skate is Friday night.

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Reality check: Audrey Shin is what’s happening in U.S. women’s skating

Reality check: Audrey Shin is what’s happening in U.S. women’s skating

The first thing Audrey Shin asked her parents in Colorado when they spoke by phone after she skated the short program at Skate America in Las Vegas was, “Did this actually happen?”

The “this” in question was the near flawless, self-assured performance that had put Shin in third place, beginning two days in late October that ended with her as the surprising star of her first senior Grand Prix event. But even her parents’ reassurance that they saw how well their 16-year-old daughter had skated could not assuage all of Shin’s desire to pinch herself.

“It was already on YouTube, so I watched it a few times in a row right after we talked because I was really proud of what I did,” she said in an interview last week. “After a while, it kind of finally sunk in.”

The disconnect between what had happened – and how well Shin would do again in the free skate to win the bronze medal – and what she had envisioned was understandable.

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At 23, Mariah Bell believes her best is yet to come - including a spot at the Olympics

At 23, Mariah Bell believes her best is yet to come - including a spot at the Olympics

Memory is an often-imprecise function of the mind. Much of how we remember something owes to the atmosphere of the environment in which it happened, in which we experienced it.

This is especially true of seeing performances live, whether they are athletic, artistic or a combination of both. A brilliant performance in a nearly empty, nearly silent venue often will become less than it was in our memory. The same performance before a cheering or applauding large crowd at a significant event often is remembered as more than it was.

Video allows us to test memory dispassionately against reality. Rarely does such replay of something remembered as spectacular make it look as good upon review, stripped from the emotions and context of the moment.

That is what makes Mariah Bell’s free skate performance at the 2020 U.S. Championships so singular, both for her and everyone who saw it at the Greensboro Coliseum in North Carolina last January.

After each of the several times watching it again to write this story, Bell’s elegant, near flawless skating to k.d. Lang’s haunting interpretation of the emotionally powerful Leonard Cohen song, “Hallelujah” actually has gotten progressively better than my memory of the live performance having been remarkable.

It was the epitome of what skaters strive for: the “whole package” of jumps, spins, footwork, ice presence, emotion, interpretation and striking body positions, all seamlessly and commandingly executed. At the national championships, with a roaring crowd on its feet 20 seconds before the four-minute performance ended, with tears streaming down Bell’s face before the music stopped.

It was also the unquestioned highlight of the then 23-year-old Bell’s lengthy and, at times, exasperatingly inconsistent career. It took her from third after the short program to second overall, the most impressive result in her eight seasons as a senior skater, beaten only by phenom Alysa Liu’s point-gobbling jumps. Under pressure in a major event, Bell finally had gotten past being undone by the final jump in her free skate.

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