Shocking U.S. failures and awesome Japanese successes in men’s short program at figure skating worlds

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Shocking U.S. failures and awesome Japanese successes in men’s short program at figure skating worlds

Shock.

Nathan Chen of the United States opened his short program at the World Figure Skating Championships Thursday by falling on a jump in an individual competition for the first time after having stayed upright on 120 straight dating to 2018. That meant he lost a program after winning 19 straight live individual competitions since the 2018 French Grand Prix short. Now in third place, 8.13 points behind the leader, Chen will be hard pressed to win a third straight world title.

Vincent Zhou of the United States, the reigning world bronze medalist, made an utter hash of all three short program jumping passes and finished 25th, one place below what was needed to advance to Saturday’s free skate. That complicates U.S. hopes for three men’s spots at the 2022 Beijing Winter Olympics.

And awe.

Yuzuru Hanyu of Japan may not have been fully content with his skating, but the two-time Olympic champion finished first after making no mistakes in an electric performance that fulfilled the title of his music, “Let Me Entertain You,” by Robbie Williams.

Yuma Kagiyama of Japan, a 17-year-old in his senior worlds debut, skated fearlessly at Mach 2, collected the highest combined scores of the day for two jumping passes with quads and a huge personal best score (100.96) while finishing second to his countryman, Hanyu (106.98).

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At Beijing Winter Games, now just a year away, figure skating will be a morning and evening affair (as you read here last March)

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At Beijing Winter Games, now just a year away, figure skating will be a morning and evening affair (as you read here last March)

Under usual circumstances, the day marking one year to go until the next Olympics directs a substantial amount of attention toward the upcoming Games.

But there is nothing usual about the current circumstances of a world turned inside out by the Covid-19 pandemic. So the next Olympics is not the 2022 Winter Games in China, where competition begins with curling Feb. 2, 2022, which is one year from today (the Opening Ceremony is a year from Friday).

Next up is the postponed 2020 Tokyo Summer Games. Beijing 2022 seems much further off than it is.

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At 23, Mariah Bell believes her best is yet to come - including a spot at the Olympics

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At 23, Mariah Bell believes her best is yet to come - including a spot at the Olympics

Memory is an often-imprecise function of the mind. Much of how we remember something owes to the atmosphere of the environment in which it happened, in which we experienced it.

This is especially true of seeing performances live, whether they are athletic, artistic or a combination of both. A brilliant performance in a nearly empty, nearly silent venue often will become less than it was in our memory. The same performance before a cheering or applauding large crowd at a significant event often is remembered as more than it was.

Video allows us to test memory dispassionately against reality. Rarely does such replay of something remembered as spectacular make it look as good upon review, stripped from the emotions and context of the moment.

That is what makes Mariah Bell’s free skate performance at the 2020 U.S. Championships so singular, both for her and everyone who saw it at the Greensboro Coliseum in North Carolina last January.

After each of the several times watching it again to write this story, Bell’s elegant, near flawless skating to k.d. Lang’s haunting interpretation of the emotionally powerful Leonard Cohen song, “Hallelujah” actually has gotten progressively better than my memory of the live performance having been remarkable.

It was the epitome of what skaters strive for: the “whole package” of jumps, spins, footwork, ice presence, emotion, interpretation and striking body positions, all seamlessly and commandingly executed. At the national championships, with a roaring crowd on its feet 20 seconds before the four-minute performance ended, with tears streaming down Bell’s face before the music stopped.

It was also the unquestioned highlight of the then 23-year-old Bell’s lengthy and, at times, exasperatingly inconsistent career. It took her from third after the short program to second overall, the most impressive result in her eight seasons as a senior skater, beaten only by phenom Alysa Liu’s point-gobbling jumps. Under pressure in a major event, Bell finally had gotten past being undone by the final jump in her free skate.

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Bradie Tennell moving forward in fresh start, aiming for triple Axel

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Bradie Tennell moving forward in fresh start, aiming for triple Axel

Bradie Tennell was frustrated.

Three years after she had gone from “who?” to “wow!,” jumping from ninth to first at the U.S. Championships in just one season and then becoming the highest U.S. finisher at both the 2018 Olympics and world championships, Tennell felt as if she were spinning her wheels.

It wasn’t as if the figure skater from north suburban Chicago no longer was getting solid results. Last season, despite a foot injury in late summer, she became the first U.S. woman to qualify for the Grand Prix Final since 2015 and the first to win a Four Continents Championship medal (bronze) since 2017. She also completed a full set of medals at nationals, adding 2020 bronze to her 2018 gold and 2019 silver.

“But I was getting older, and I didn’t feel I was reaching my goals fast enough, and I wasn’t progressing fast enough,” Tennell said.

Tennell was increasingly annoyed by her failure to get traction on her goal of adding another spin to one jump, the Axel. She wanted to master the triple Axel, a jump that is turning into something of a litmus test for elite women the way it did for elite men in the 1980s.

It reached the point where, at age 22, she would explain the frustration during a recent phone interview with a paraphrase of a quote about insanity attributed to Albert Einstein.

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For many Olympic-related sports bodies in the USA, surviving fiscal impact of pandemic would be like winning a gold

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For many Olympic-related sports bodies in the USA, surviving fiscal impact of pandemic would be like winning a gold

U.S. Olympic and Paralympic Committee chief executive Sarah Hirshland sounded the storm warning last week, in a virtual staff meeting as well as a letter and Q-and-A fact sheet to the USOPC’s constituents.

Hirshland did it again Tuesday in an athlete town meeting call that a person who listened to it described as “pretty much the same doom and gloom.”

She told of USOPC budget cuts of 10-to-20 percent that could include staff cuts and already include voluntary salary cuts of 20 percent (Hirshland) and 10 percent (the other eight top executives). And then there was the ominous passage, about the impact on the USOPC if the postponed-until-2021 Tokyo Olympics have to be cancelled because of the coronavirus pandemic.

“The impact of a cancellation would be devastating to our athletes, first and foremost, but also to our financial health and stability,” said the FAQ sheet, a copy of which was obtained by Globetrotting. “We would survive such a scenario, but the impact would be severe.”

The USOPC can survive because it has an endowment in excess of $200 million it could use in a “`worst-case’ scenario.” That has not yet become the situation, the FAQ said, but it reach that level if Tokyo 2020 does not take place – a possibility evoked by two prominent members of Japan’s medical community in the last 10 days.

Cancellation would create a much more dire situation for the National Governing Bodies that help train and support the athletes who become part of U.S. Olympic and Paralympic teams. Many would go from weathering the storm to rearranging deck chairs on the Titanic.

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