Serendipitous addition of Jeremy Abbott to Alysa Liu’s coaching team helping her work through growth spurt

Serendipitous addition of Jeremy Abbott to Alysa Liu’s coaching team helping her work through growth spurt

Serendipity is part of this story. And both happenstance and coincidence also played a part in how Jeremy Abbott became a full-time member of Alysa Liu’s coaching team this fall.

Abbott describes the way it all developed as “organic,” a word he also uses to explain the process Team Liu is using to further her growth as a skater. It is a word that seems especially appropriate for Liu this season, when organic physical changes have challenged the two-time reigning U.S. women’s figure skating champion.

Four months past her 15th birthday, Liu is some three inches taller, with longer limbs and a different center of mass, than she was at this point a year ago. All that has made it harder for her to spin in the air as quickly as she could.

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On giving thanks, mile after mile after mile

On giving thanks, mile after mile after mile

Proximity to large bodies of water has been a big and calming part of my life and psyche.

From my birth in 1946 until I was 26, my family’s home was 150 yards from the Atlantic Ocean in Revere, Mass. During my first two years living in Baltimore, my home was about the same distance from its harbor, part of an estuary of Chesapeake Bay. During the last 33 years in Evanston, IL, I have lived about a quarter-mile from Lake Michigan.

Cycling has become another big and calming part of my life this year, with the joy of being outside on a bike more important than ever. And water figures as bookends of my cycling story, too.

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Reality check: Audrey Shin is what’s happening in U.S. women’s skating

Reality check: Audrey Shin is what’s happening in U.S. women’s skating

The first thing Audrey Shin asked her parents in Colorado when they spoke by phone after she skated the short program at Skate America in Las Vegas was, “Did this actually happen?”

The “this” in question was the near flawless, self-assured performance that had put Shin in third place, beginning two days in late October that ended with her as the surprising star of her first senior Grand Prix event. But even her parents’ reassurance that they saw how well their 16-year-old daughter had skated could not assuage all of Shin’s desire to pinch herself.

“It was already on YouTube, so I watched it a few times in a row right after we talked because I was really proud of what I did,” she said in an interview last week. “After a while, it kind of finally sunk in.”

The disconnect between what had happened – and how well Shin would do again in the free skate to win the bronze medal – and what she had envisioned was understandable.

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At 23, Mariah Bell believes her best is yet to come - including a spot at the Olympics

At 23, Mariah Bell believes her best is yet to come - including a spot at the Olympics

Memory is an often-imprecise function of the mind. Much of how we remember something owes to the atmosphere of the environment in which it happened, in which we experienced it.

This is especially true of seeing performances live, whether they are athletic, artistic or a combination of both. A brilliant performance in a nearly empty, nearly silent venue often will become less than it was in our memory. The same performance before a cheering or applauding large crowd at a significant event often is remembered as more than it was.

Video allows us to test memory dispassionately against reality. Rarely does such replay of something remembered as spectacular make it look as good upon review, stripped from the emotions and context of the moment.

That is what makes Mariah Bell’s free skate performance at the 2020 U.S. Championships so singular, both for her and everyone who saw it at the Greensboro Coliseum in North Carolina last January.

After each of the several times watching it again to write this story, Bell’s elegant, near flawless skating to k.d. Lang’s haunting interpretation of the emotionally powerful Leonard Cohen song, “Hallelujah” actually has gotten progressively better than my memory of the live performance having been remarkable.

It was the epitome of what skaters strive for: the “whole package” of jumps, spins, footwork, ice presence, emotion, interpretation and striking body positions, all seamlessly and commandingly executed. At the national championships, with a roaring crowd on its feet 20 seconds before the four-minute performance ended, with tears streaming down Bell’s face before the music stopped.

It was also the unquestioned highlight of the then 23-year-old Bell’s lengthy and, at times, exasperatingly inconsistent career. It took her from third after the short program to second overall, the most impressive result in her eight seasons as a senior skater, beaten only by phenom Alysa Liu’s point-gobbling jumps. Under pressure in a major event, Bell finally had gotten past being undone by the final jump in her free skate.

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Bradie Tennell moving forward in fresh start, aiming for triple Axel

Bradie Tennell moving forward in fresh start, aiming for triple Axel

Bradie Tennell was frustrated.

Three years after she had gone from “who?” to “wow!,” jumping from ninth to first at the U.S. Championships in just one season and then becoming the highest U.S. finisher at both the 2018 Olympics and world championships, Tennell felt as if she were spinning her wheels.

It wasn’t as if the figure skater from north suburban Chicago no longer was getting solid results. Last season, despite a foot injury in late summer, she became the first U.S. woman to qualify for the Grand Prix Final since 2015 and the first to win a Four Continents Championship medal (bronze) since 2017. She also completed a full set of medals at nationals, adding 2020 bronze to her 2018 gold and 2019 silver.

“But I was getting older, and I didn’t feel I was reaching my goals fast enough, and I wasn’t progressing fast enough,” Tennell said.

Tennell was increasingly annoyed by her failure to get traction on her goal of adding another spin to one jump, the Axel. She wanted to master the triple Axel, a jump that is turning into something of a litmus test for elite women the way it did for elite men in the 1980s.

It reached the point where, at age 22, she would explain the frustration during a recent phone interview with a paraphrase of a quote about insanity attributed to Albert Einstein.

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