Even so close to Opening Ceremony of Tokyo Olympics, there is time to avoid having fools rush into decision on their fate

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Even so close to Opening Ceremony of Tokyo Olympics, there is time to avoid having fools rush into decision on their fate


As of early this week, there were 3.3 million deaths worldwide attributed to the Covid-19 virus,

And yet the Japanese government and the International Olympic Committee continue to set the tables for a July global party that 59 percent of the Japanese population wants cancelled, according to polling done last Friday through Sunday.

In that poll, postponement was not an option. Another poll in April showed 70 percent of the population wanted the Tokyo Summer Games either cancelled or postponed again, as they had been from 2020 to 2021.

Make no mistake about it: the Tokyo Olympics are in essence a shindig, a giant, made-for-TV, ATM of a sports festival, sort of a wedding reception on steroids. And think of how many wedding receptions and family celebrations have been cancelled or postponed in the face of a pandemic still raging out of control in some of the world’s most populous countries, notably India and Brazil.

The preparations and regulations necessary in the hope of keeping the Olympics from becoming a feast for the coronavirus mean they will be essentially a joyless party, a wedding with no food or dancing, a festival without the cultural interactions that are supposed to make the Olympics more than just another sporting event.

No foreign spectators. Maybe no domestic ones, either. Strict distancing and masking rules. Little freedom of movement for everyone directly involved.

Is that the youth of the world assembling to celebrate the Olympics, as called for in the ritual appeal at the Closing Ceremony of the previous Games? Only if they stay two meters apart.

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In figure skating’s long, strange trip of a season, Nathan Chen showed the way

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In figure skating’s long, strange trip of a season, Nathan Chen showed the way

What a long, strange trip it has been for figure skating over the past 13 months.

From the cancellation of the 2020 World Championships in Montreal when the first wave of the pandemic hit full force last March through dealing with two more COVID waves since then, the International Skating Union had to:

*Cancel six of the 10 events (and indefinitely postpone two more) in the second-tier Challenger Series of international events.

*Remake the top tier, six-event Grand Prix Series as domestic-only, with no Final and both France and Canada cancelling their GP events. (Canada also cancelled its national championships.)

*Cancel its two regional championships, the European Championships and Four Continents Championships.

For all that, the season came to a satisfying end. The ISU pulled off both the 2021 World Championships last month in a Stockholm, Sweden, bubble with no spectators other than skaters and officials and the 2021 World Team Trophy last week in an Osaka, Japan, bubble with limited spectators – while Osaka prefecture was in a state of emergency due to a surge in COVID cases.

Here are some takeaways from the 2020/21 season (such as it was):

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Once again, World Team Trophy has six countries, but only three medal contenders...and that doesn't add up to much of a competition

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Once again, World Team Trophy has six countries, but only three medal contenders...and that doesn't add up to much of a competition

The big problem with the competitive aspect of the World Team Trophy is having just three countries with a chance to win medals now that Canadian skating has hit a fallow period since its athletes won the team gold medal (and three individual medals) at the 2018 Olympics.

Only Canada, Russia, the United States and Japan ever have won medals at the World Team Trophy, which has a six-country field, two entries per country in each segment of singles and one couple in pairs / dance. Canada’s last WTT medal came five editions ago (2013.)

Only Canada, Russia and the USA have won team medals at the Olympics since the 2014 addition of the event, where the field has 10 countries with only one singles skater and one couple in the short programs, after which the field is cut to five countries for the free skates.

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By the (likely) final performance, Nathan Chen became a mirror for Glass music

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By the (likely) final performance, Nathan Chen became a mirror for Glass music

My observations from Day 2 of 3 at the World Team Trophy, where Nathan Chen was Same As He Ever Was in winning the free skate after winning the short program on Day 1.

(Wait…maybe Talking Heads for him in the Olympic season?)

1. It’s too bad that Friday was most likely the last time Nathan Chen will skate the free program Shae-Bourne artfully choreographed to selections from the music of the minimalist composer, Philip Glass.

Chen clearly had a physical as well as intellectual understanding of Glass, having studied his music at Yale and having learned how to play part of it on the piano. The skater’s interpretation got more nuanced each time he performed it, with the final half of the four minutes at the World Championships and the opening 30 seconds at World Team Trophy clear evidence of how he “got” the music.

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At World Team Trophy, another angle on Chen-Hanyu rivalry

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At World Team Trophy, another angle on Chen-Hanyu rivalry

Thanks to NBC’s Peacock TV for the ability to watch the World Team Trophy from Osaka, Japan, at a reasonable hour in the USA via replay.

It meant I was awake enough to make some (hopefully) coherent observations after Thursday’s day one, which included singles short programs and the rhythm dance.

In no particular order of importance:

I used to think (at least until the 2018 Olympic free skate) that Japan’s Yuzuru Hanyu was so dominant, particularly in component scores, that he could make one semi-serious mistake and still win in any program.

Nathan Chen has shown that thinking no longer prevails, particularly among judges.

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