In figure skating’s long, strange trip of a season, Nathan Chen showed the way

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In figure skating’s long, strange trip of a season, Nathan Chen showed the way

What a long, strange trip it has been for figure skating over the past 13 months.

From the cancellation of the 2020 World Championships in Montreal when the first wave of the pandemic hit full force last March through dealing with two more COVID waves since then, the International Skating Union had to:

*Cancel six of the 10 events (and indefinitely postpone two more) in the second-tier Challenger Series of international events.

*Remake the top tier, six-event Grand Prix Series as domestic-only, with no Final and both France and Canada cancelling their GP events. (Canada also cancelled its national championships.)

*Cancel its two regional championships, the European Championships and Four Continents Championships.

For all that, the season came to a satisfying end. The ISU pulled off both the 2021 World Championships last month in a Stockholm, Sweden, bubble with no spectators other than skaters and officials and the 2021 World Team Trophy last week in an Osaka, Japan, bubble with limited spectators – while Osaka prefecture was in a state of emergency due to a surge in COVID cases.

Here are some takeaways from the 2020/21 season (such as it was):

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In world women’s short program to leave viewers gasping, Anna Shcherbakova’s breathtaking skating filled the rare air at the top

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In world women’s short program to leave viewers gasping, Anna Shcherbakova’s breathtaking skating filled the rare air at the top

Whew.

Maybe it’s because we are all out of viewing shape from not having had a significant international figure skating competition in more than a year, since the coronavirus pandemic forced cancellation of the 2020 World Championships and everything else of consequence this season until this week.

Or maybe it’s because there was so much to wrap our heads around during the first part of the first event at the 2021 ISU World Figure Skating Championships.

Whichever you apply, it was easy to be left breathless after trying to process the multiple storylines emerging from Wednesday’s women’s short program in Stockholm, Sweden.

There were some breathtakingly beautiful skating moments, too.

And, unsurprisingly, it took just a few hours in front of screens of various sizes for everyone to get fittingly exercised about the judging.

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Yuzuru Hanyu's new (old) programs sound like a broken record. Same old, same old doesn't befit his skating genius

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Yuzuru Hanyu's new (old) programs sound like a broken record. Same old, same old doesn't befit his skating genius

I am going to start my discussion about Yuzuru Hanyu’s decision to recycle old programs with an effort (undoubtedly futile) to stave off an uprising by the Hanyubots, the unhinged slice of Hanyu’s huge and generally terrific fan base that turns into a cult to troll anyone who ventures a legitimate criticism of the skater they worship.

I can only hope they will read at least the next four paragraphs before beginning a knee-jerk rant, as they usually do when, for instance, Hanyu gets scores they deem unfair.

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